Tag Archives: Ryan Reynolds

5 Times Deadpool Ripped Apart The Fourth Wall


 

Deadpool has a thing for the fourth wall. He doesn’t only rip them apart, but blows it into threads. As Ryan Reynold’s said in Deadpool movie, sometimes it is 16 walls.

Since his inception, different writers have tried using their own style when it comes to breaking the fourth wall. Some take potshots at the popular culture while others just make him take jibes at competitor brands.

Here are 5 instances where Deadpool took on the fourth wall and destroyed it.

Yawn of Boredom

Deadpool has been taking potshots at Batman v Superman. In the ongoing Spiderman/Deadpool series, he made fun of the movie using Marvel’s in-house Superman & Batman counterparts Hyperion and Nighthawk. What follows after are some of the funniest panels, where Spidey and Deadpool made fun of ongoing X-Men franchise, Deadpool’s own movie and a lot more.

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Deadpool meets Dawn of Justice

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Deadpool, again took on Dawn of Justice where he interacted with a character named Dawn from Justice department. He finds the name amusing and cannot stop laughing.

 

Do I look like Ryan Reynolds?

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Deadpool writers always had a thing for Ryan Reynolds. Even before he joined the cast of horrendous X-Men Origins, Deadpool had announced that he looks like an abominable version of the actor who’ll play him on screen in the future.

Deadpool has all the details

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Who else will tell you the exact details of the last time when they met?

 

https://www.youtube.com/watch?time_continue=65&v=TxlCTiYaOSA

Deadpool assaults his opponent with their own health and hyper combo bars.  Then he makes fun of Capcom and mocks the player’s skill level.

What is your favorite moment when Deadpool broke the fourth wall?

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Movie Review – Deadpool


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I went to watch this movie with expecting a slapstick comedy with superheroes. The promotion was impressive but given Ryan Reynold’s two previous ventures into comic-book movies I was a little less hopeful.

Deadpool is a satire on comic book movies. As a comic book character that breaks 4th walls, he is the parody of everything superhero. Deadpool is the brilliance of Marvel comics and shows their balls to take jabs on their work. The movie might have been directed by Tim Miller but the truth is that Deadpool belongs to only and only Ryan Reynolds. As the movie is concerned, Deadpool breaks all the rules of Superhero and adopts only those jokes and gags that draw out the most amount of ‘WTF’s from the crowd, and in doing so, gives us one of the most faithful comic-book adaptations to date.

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Deliciously meta and embracing the irresponsible, and goofy persona of its superhero (as well as the actor who portrays him), Deadpool is the kind of superhero that no matter who tries to make it with another character, you are not going to get as faithful as this one. It was a unique creation when it came to Marvel Comics in 1991, and succeeds in gleefully shocking cinema audiences in 2016.

Created by Rob Liefield and Fabian Nicieza as a parody of DC Comics’ Deathstroke, Deadpool is Wade Wilson, expert swordsman and mercenary who came out the other end of cancer with a regenerative mutation. He is armed with the Wikipedia of pop culture references and is the one who never plays by the rules. In Tim Miller’s cinematic take, Wade (Ryan Reynolds) falls in twisted love with Vanessa (Morena Baccarin) – a match made in heaven. Wade hangs out at an assassin’s bar run by Weasel (T J Miller), the closest thing he has to a friend. Then one fine day, when cancer comes a-knocking at his door, so does a mysterious man with the promise of curing his ailment in exchange for being part of a superhuman experiment. We all know what happens next.

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As a movie it follows  a plot which is pretty straight-forward, but what makes Deadpool  magical is how it gets the beat of that narrative. A large part of this is owed to Ryan Reynolds, himself born to play the Regenerating Degenerate, who has almost single-handedly resurrected the character from Origins: Wolverine hell, marking it as his own to play with. The movie has everything to offend you. The dick jokes, the fourth-wall-breaking, and the delightful references – he’s got it all down to the dot, and we’re along for the ride, which is as entertaining as it can be. This is an incredibly self-aware film, perhaps even the most self-aware one there is, landing meta punches right from the opening credits and not letting up till the protagonist shoos you out of your seats in the post-credits scene. Tim Miller and Ryan Reynolds could not have asked for better timing with this film, as 2016 cements the superhero genre in the future of cinema for years to come. Deadpool manages to pick on the obvious trends that plague the genre today, from clichéd hero landings to franchises that birth confusing timelines. Are the villains pretty generic? Yes. Does the plot hit all the usual beats of a superhero film? Yes. But it doesn’t matter, since it’s how Deadpool reacts to each of these things that make this film a masterpiece.

The R Rating of the movie was a risk but it turned out to be the biggest blessing. Being a character notorious for his unmatched ability to creep out the likes of Wolverine and Spider-Man, the red-clad prankster cannot be done justice without crossing the lines. However, the R-rating isn’t here to simply service the crass humour, but to stay true to Deadpool’s other character essence – his gleeful bloodlust, showcased to the maximum in the highway sequence toward the beginning of the film. Above and beyond his regenerative mutation, what makes this wise-cracking antihero a force to be reckoned with is his way with guns and swords, coupled with a conscience that is the polar opposite of Batman. Deadpool makes full use of the faculties of its protagonist and delivers to us meaty, excellently directed action scenes that blend gore and comedy so well that it’s impossible to take your eyes off the screen.
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You’ll also no doubt have heard that Deadpool has become the biggest grossing R-rated film (that’s the US equivalent of our ’18’ certificate, though curiously Deadpool only has a ’15’ rating here) ever released, and was shot on a budget of approximately $58million, about a quarter of the budget for the last X-Men film, Days of Future Past, opening up some interesting possibilities on a series of lower-budget comic-book movies – something which must be tempting for studios.

Ryan Reynolds’ acting persona can be a bit marmite, but he embraces that here with enthusiasm and sufficient self-depreciation that ought to win over even his most harshest of critics. Reynolds’ turn makes the film, his personality barely concealed by the leather suit and deeply infectious. His campy stylings throw his enemies and warm viewers; they also hint at a sexual ambiguity present in the character. Deadpool is on record as having a fluid sexuality, something that sets the character out further as part of the alternative counter-culture, though this film does tend towards heteronormative relationships.

Ed Skrein makes for an engaging foil, even if he is the latest in a long line of British bad guys in American movies. There’s a sparkle to his playoffs with Reynolds which reminds us of the childlike quality of many cinematic squabbles.

The female members of the cast remain somewhat underused – Morena Baccarin makes for a feisty love interest, but Brianna Hildebrand (Teenage Negasonic Warhead) and Gina Carano (villainous Angel Dust) are powerhouses, but effectively mute making them little more than tools. Considering recent conversations about female characters in sci-fi and fantasy (eg. the Star Wars: The Force Awakens debacle) one would have expected better – particularly as there’s a clever moment of concealment during a fight with Angel. The writers clearly know what’s going on, but while they call it out, they’ve yet to redress it.

Ultimately though, Deadpool is a rich text, and the most interesting comic adaptation in years, rewarding multiple viewings, which has buoyed the coffers of the studio. Deadpool 2 is eagerly awaited, but has much to live up to.

 

 

Stop Overusing Wolverine


Wolverine is among few of the awesomest comic book personas ever created. He’s headlined major comic books, animated TV shows, Major toylines and four major movies. He once brought an uncanny appeal to comic books. His past was a mystery, and he wasn’t afraid to cross boundaries the only thing he cared about getting the job done. He was the badass character that became an icon among comic book lovers. Yet over the years, Wolverine’s extreme popularity lead to Marvel including him in any comic book title they can. He is being overexposed.

The way Wolverine is overused and hyped it makes many comic book fans angry and frustrated . when Wolverine is able to switch his position again and again between X Men,  -Force, Avengers, The New Avengers and his own series the whole sense of continuity which is liked by fans get quite complicated.Last year’s X-Men event X-Men: Schism happened at the same time with Fear Itself where wolveine was a center. Comic books deserve some respect, they at least have to follow some sense of continuity, and that all is spoiled after Marvel just to get some extra sales they decide to throw Logan on the cover, it certainly would get fans angry and unsatisfied with lot of question marks.

With a level of insecurity surrounding the comics industry in current times, there is some logic as to why Marvel sticks Wolverine in anything they can,may be because when a newcomer comes with an idea of buying a comic book for the first time they dont know most of the characters so they go with the obvious names like Batman and Wolverine. At times Mavel sticks with him in major storyline without giving in any significance. Eg. Wolverine could easily be removed from Fear Itself or the main Avengers series. Especially since the character’s lost the appeal he had. His origin has been explored and explored over and over again, taking away the original appeal that went with the character.  Why include him in two Avengers titles, if fan favourite characters like Bucky Barnes and Hawkeye are going to get pushed aside? It’s frustrating and stupid.

It also makes people frustrated how Wolverine continuously stars in X-Men movies when Marvel and Fox studios can move forward with projects for other characters. Fox have the rights for The Fantastic 4 and Daredevil. It’s about time they use them, instead of giving us more mediocre Wolverine origin movies . Or at least maybe expand on the Wolverine mythos, and give us a movie based on his son Daken,Who have became a far edgier, more compelling character than his father in recent years.Also the Deadpool movie in works for almost 3 years needs to be released now following with a R Rated X-Force movie or a Cable origin movie.They already spoiled three X-Men movies just to hype that Character and forcefully threw in his cameo in X-Men First Class. Also Hugh Jackman adds a tone of his own to that character and doesn’t satisfies the fanboys as the qualities of Wolverine. Wolverine in comics is short blood thirsty mutant while Hugh Jackman is a tall mysterious guy who who doesn’t has the thirst to kill instead more of a military strategist and a savior.I nowadays prefer Tom Hardy more as a likely wolverine than Jackman.

Wolverine’s days are over now. There are far better characters deserving of the attention and popularity Wolverine has. If he is removed from the Avengers line up then it would become clear why he is much better with X-Men than the attention he is getting. Perhaps now the Avengers movie draws near, we might see a more classic Avengers line up without him.