Tag Archives: ant man

Movie Review – Captain America: Civil War


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Like the previous Captain America movies, “Captain America: Civil War” continues the tradition of a great superhero movie. It is a great action/thriller with a nice blend of humour. Before The Avengers came to the theatres, many wondered that how would one manage bring so many different superheroes together in one film and have it feel both cohesive and coherent. Then the movie ended up delivering in a big way and in the wake of its success it almost seemed foolish to have doubted the proposition in the first place.

The Russo Brothers and their amazing under-appreciated Screenwriters have done an amazing job with the film. It is not just Superhero movie, but pure entertainment film. They prove that they are true fans of the source material, making changes that needed to be made for the transition to the big screen.

The story is changed from the comic but in a way that the Marvel Cinematic Universe needed so badly. This film changes every relationship for the worse. We travel around the world and new characters enter the fray. Black Panther/T’Challa is the most prominent of these and Chadwick Boseman nails the character, leaving you wanting more for the future and longing for his standalone movie.

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There are many big ideas in the film and it attempts to turn expectations on the head in some ways. Tony Stark as the Steve’s counterpoint is presented in a beautiful way, and the film explains how and why this is the case by exploring his background. The script, by Christopher Markus and Stephen McFeely, touches on something that comic book films have been accused of–showing mass destruction without the consequences. Civil War deals with a long time issue with comic book movies. The issue of collateral damage. When heroes fight villains, a number of innocents are hurt and die. Secretary of State (William Hurt, reprising his role as Thunderbolt Ross) presents the Avengers with a choice; sign an accord that makes them agents of the U.N., or retire. While Iron Man supports the accords,  Captain America opposes it calling it a means to turn Avengers into a weapon of war.

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There are more characters–the Scarlet Witch (Elizabeth Olsen) and Vision (Paul Bettany), who in the comics got married and I think they’re going in that direction in the films, even though he ends up imprisoning and cooking for her. The major action piece is full-blown battle at the airport. We even get Ant-Man turning into a full fledged Giant Man, and meet the new Spider-Man (Tom Holland, who makes Tobey Maguire seem like an ancient history.

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Captain America: Civil War shows that how a great balance between gravitas and humor can be achieved. Something that the D.C. films struggle with. When Downey Jr. is approached by a mother (Alfre Woodard) whose son died as collateral damage in an Avengers fight, you can feel the pain and emotions as you know the backstory. Evans plays a much less nuanced character, but he is terrific, and the film is full of cameos, such as Martin Freeman and, amazingly, Marisa Tomei as Parker’s Aunt May.

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From here how Marvel takes their films over the next couple of years is going to be intruiging. If anything, we probably won’t be learning the fallout from the events of Civil War right away. The next couple of films in the franchise either introduce a new character and new corners of the cinematic universe (November’s Doctor Strange) or appear to take place off-Earth (next year’s Thor: Ragnarok and Guardians Of The Galaxy Vol 2). It probably won’t be until 2018’s Black Panther that we get to see what comes next in the studio’s grand plans for these heroes.

Rating 4.5 out of 5

Review – Ant Man 2015


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Ant-Man is more than a comic book movie. It takes viewers on a thrill ride through the world of science fiction physics. The smaller the size of the movie is, compared to that the characters are complex, charismatic people, whose relationships go through ups and downs every now and then. These characters are so well written that they appear as convincing players in an otherworldly premise suspending our concept of reality, once we buy in, well-placed humorous references poke fun at the day-to-day environment we take for granted.

Created in 1962 by Stan Lee, Larry Lieber and Jack Kirby, Ant Man has been a B-List Marvel character even after being one of the founding members of The Avengers. In a failed attempt by Edgar Wright to bring the shrinking superhero to the big screen when he wrote a script for the project and further went on to develop the film for 8 years. Finally in 2014, he was set to direct Ant-Man for the now successful Marvel Studios. He left the project with a mutual agreement with Marvel Studios due to creative differences. Yes Man director Peyton Reed then took over. As Wright was adored by critics, many have wondered whether Ant-Man would turn out to be Marvel’s first failure due to his absence.

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Even with Peyton Reed calling the shots this movie feels like an Edgar Wright film. He and Joe Cornish are still credited with story and part of the screenplay (the latter shared with Adam McKay and Paul Rudd). And if you are a fan of Wright’s work, you’ll be able to pick his parts of the film out almost immediately.

The film is filled with Edgar Write trademark style. The movie has prominently used jump-cut scenes in a very humorous way. Something that is Edgar Write is known for, where he presents a part of the story in a series of staccato images that say what they need to say in a concise and exciting way. In my opinion, it’s a trait that proves his genius and a big part of what I love about his films.

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The film opens as Scott Lang (Paul Rudd) leaves prison after a three year sentence for a Robin Hood-like bit of computer theft. He wants to start a clean life so he can provide a good role model for his daughter Cassie (Abby Ryder Forston), but he’s not even able to keep a job at Baskin-Robbins due to his criminal record. He gets on a heist job with an old prison pal Luis (Michael Peña) and agrees for a job at home of an ex-military guy.

Paul Rudd is comes out as an awkwardly charming good guy with a witty sense of humor. He’s just weirdly adorable like a cross-over between Tony Stark and Peter Quill with more humility. Hank Pym though, is an ass. Which is not surprising considering he mostly is exasperating in comic books.

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Rudd’s co-stars are all equally on fine form as Michael Douglas and Evangeline Lilly both deliver solid performances as Hank Pym and Hope van Dyne. Oscar award winner Douglas fully commits to  the role as the secretive ex scientist Pym while Lilly’s ice queen van Dyne is as serious as her bob haircut. The film’s most dramatic scenes arise from the strained father-daughter relationship between the two which plays out very well.

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But it is Michael Pena who steals the movie with his crazy fast narratives. He plays Lang’s motor mouthed best bud Luis and steals almost every scene he’s in. The flashback scenes where he narrates the lines of others in his own wild words produce some of the films biggest laughs.

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And as expected from a Marvel movie, Ant-Man is a blend of action and comedy. When Ant-Man shrinks for the first time, he has to avoid death by bathwater, clubbers, a hoover and a rat in a visually stunning sequence.

After the huge city smashing destruction earlier in the year from Avengers: Age of Ultron (which is snarkily referenced by Hank Pym) there was a need for Marvel to scale back the stakes in order to keep things fresh. Ant-Man certainly brings something new to the table as, on the whole, it feels very different to anything else in the crowded comic-book movie market.

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Ant Man comes with its flaws but Marvel has tries its best to keep it grounded and more personal on every level. Next time when we see Ant Man in Captain America: Civil War it is going to be a whole new level of awesome.

8/10

Review: Avengers – Age of Ultron


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The most awaited sequel to mega blockbuster of 2012, Age of Ultron hit the theaters last week in theaters worldwide. Creating a sequel to a blockbuster as beloved and successful as The Avengers is something big for anyone to live upto. One of the reasons the film became such a massive hit because of the novelty of seeing these characters on screen for the first time ever on the big screen; something that was long thought to be impossible. After massive success of the first movie, the sequel would have to shake things up. Age of Ultron feels like writer/director Joss Whedon is constantly trying to outdo himself. For the most part, he is succeeds. The film is more ambitious, emotional, funnier, and darker than its predecessor. However, it’s also less coherent and streamlined. In an attempt to juggle so many characters and subplots, the film loses that magic of simplicity that made the first film so appealing.  Despite those misgivings, the film manages to still be a fun and engaging superhero epic that serves to kick off the summer movie season and serves as a proper farewell to Whedon from Marvel Cinematic Universe.

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For me Age of Ultron is a massive success but it fails to pull off everything with the grace and synergy. The movie is on a different scale unlike Avengers was. The movie is a massive balancing act, pulling in about a dozen important characters and trying to give them all something to do while also telling a cohesive, succinct narrative. The movie is a juggling act that Joss Whedon tries to maintain fairly well. While I was fairly satisfied while walking out of the theater the feeling was not as great as the first movie and there is where the problem is.

Most of the reviews are made comparing it with the first movie when they should not. Most of the reviews have complained about new characters, if there was a sequel without new characters there would still be complains. The movie outdoes the expectations that fans had after the announcement.

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Age of Ultron proves to be a massive entertainer from the beginning. It opens with an exciting, and an entertaining action sequence that reintroduces all of the characters and the dynamic they share as a team. The opening is right on point in nearly all aspects, and creates a sense of high energy and pacing that is never really lost. While there are slower moments in the movie (such as a mid-movie sequence at the Barton farm) the sense of energy is never halted because there’s always something happening that propels the story forward. Unlike with the opening act of the first Avengers film, which tended to lull in some segments as the team was pulled together, Age of Ultron quickly establishes an excellent sense of narrative pacing, and this is arguably one of the film’s greatest strengths.

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The movie shows a great pacing apart from action sequences. Joss Whedon and his team does their best to manage their time amongst the numerous threads that the plot weaves along with the way characters connect with each other. As a writer, Whedon manages to find a great way of doing this, incorporating minor details from previous Phase Two films to show that, yes, they were relevant, while also keeping the focus where it needs to be: the matters at hand, how the team operates, and how the characters evolve because of the ordeals they undergo.

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If The Avengers was about assembly, Avengers: Age of Ultron is about disassembly. The former played on their conflicting personalities while the latter plays on their fears and insecurities. Though Ultron may be the main antagonist of the picture, it’s our heroes who have themselves to fear. How can these people save the world when they can’t even save themselves? The internal struggle of these characters is trying to overcome their mistakes and pain. That is what raises the stakes in this film. The entire world is jeopardy, but it’s also a battle for the Avengers to save their souls.

The film is loaded with terrific action sequences. The Hulk vs Hulkbuster scene is everything you hoped it would be and more. Though there is a lot to take in from the set pieces, they never feel exhausting or overwhelming, despite it being clear Whedon is always trying to top what he accomplish in the first film. Though admittedly, it’s hard to feel sense of danger when you know these characters are going to be back for their individual movies including more Avengers sequels. As usual, each character gets their shining moment. The principal cast has grown into these roles to the point where they could pull them off in their sleep. A most notable improvement is Hawkeye (Jeremy Renner), who after being relegated to Loki’s henchman for most of the first film, gets an integral and dynamic role among the team. Not to mention that he gets some of the best lines in the film. I wouldn’t be surprised if he emerged as fan-favorite after all is said and done.

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New additions to the cast vary. Thankfully, Ultron works for the most part and is miles ahead of just about all of the villains in Marvel films so far (which isn’t that hard when you look at how these villains were written). He’s surprisingly more snarky than people would expect an angry, maniacal robot to be. But that imbues the character with a personality that is sorely lacking from the rogue gallery in MCU. Joss Whedon admitted that the initial cut of the film was much longer. It comes out clear at many places as origin story for Quicksilver and Wanda comes out in a very rushed manner. Their origin is touched upon but in a very rushed manner. The Maximoff twins begin to work as characters as the film progresses, but there were missed opportunities to get audiences behind them early on. The breakout character of the film is hands down the Vision (Paul Bettany). While I won’t spoil his origin here, the film will leave you wanting to see more of especially since he does a fantastic job of making an impact in his first appearance.

The movie works and proves that Marvel Cinematic Universe is not going anywhere. Age of Ultron succeeds in teasing future movies with its supporting cast. The movie is entertaining but at the same time worries me about execution of future Marvel movies. It sets up Civil War, Wakanda and most importantly Infinity War and suffers with the same problem that Amazing Spider-Man 2 and Iron Man 2 suffered but on a very small scale. The summer has started with a bang and Marvel is going to rule.

Rating 8.5/10